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颜真卿楷书《多宝塔》，临摹：染、生、迷、毂、断、常、起、缚
颜真卿楷书《多宝塔》, 多少书家的启蒙教材。虽为楷书作品，可好多笔画完全是行书笔法，只有用行书的笔势写此帖，字迹才不会死板。 怎样才能快速实现精准临摹《多宝塔》，注意笔势衔接，你就成功一半！
颜真卿楷书《多宝塔碑》临摹1157/222
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